"Enthralled... wonderful, simple truthfulness"
-T.E. McMorrow, The East Hampton Star
“The evening began with ‘Exxon Eats the Odalisque,’ painting by John Alexander, play by same name by Lucy Boyle, with Blythe Danner, Sarah Bierstock, and Harris Yulin. Sadly, I missed the first five minutes of this piece, thanks to an even worse-than-usual traffic jam when driving west on Napeague near Cyril’s. But once seated, I was immediately enthralled by this bit of agitprop theater, complete with the upstage projection of Mr. Alexander’s work, which featured a rather slimy-looking Exxon credit card, with swastikas replacing the X’s in Exxon, and the wonderful, simple truthfulness of the actors.”
"Tremendous talent and beauty"
-Amanda S. Stevenson, PR. March 2014
“Lovely soprano who sang songs from Jacques Brel and the audience was impressed with her astute handling of these very difficult songs. I was really bowled over. She has tremendous talent and beauty and bound to become a television star because of her magnetism.”
"Wonderfully generous actor"
Josh Gladstone, Artistic Director of Guild Hall (East Hampton, NY)
“Sarah has terrific stage instincts and lights up the room. She is a wonderfully generous actor and a wonderfully generous person, too!”
"Professionalism and generosity of spirit"
Rob Fruchtman, Director/Producer at LIRO Films
“Sarah is a very talented actor who is also great to work with. Her professionalism and generosity of spirit made working with her a real delight. I genuinely look forward to our next project together.”
"A dream to work with"
Tricia Brouk, Director/Choreographer
“Sarah is highly professional, and a dream to work with. She also is a risk taker and an extremely thoughtful actor. I can trust her to get inside the character’s head and bring ideas to the table, ready to play.”
"Fascinating and intriguing"
Kate Mueth, Founder/ Artistic Director Neo-Political Cowgirls
“One thing I love about working with Sarah Bierstock (of the many reasons) is her intelligence in the work. She questions and plumbs the depths in search of the innermost parts of the character at hand. She makes the relationship of director to actor a fascinating and intriguing journey in the seeking of a character.”
"Psychologically deeper... lovely soprano"
-Steven Stanley, Stage Scene Los Angeles
“Sarah Bierstock does fine, assured work as a psychologically deeper than usual Wendy, and lends her lovely soprano to ‘Who Am I?’, ‘Dream With Me,’ and ‘Spring Will Come Again.’”
"Good taste... commands well"
-David Finkle, Backstage Magazine
“Wearing a sausage-curl hairdo the likes of which hasn’t been seen since Elizabeth Taylor appeared in 1949′s ‘Little Women,’ Sarah Bierstock made a promising bow at Danny’s Skylight Room a week or so ago. Bierstock actually resembles the Taylor of that period, although that probably isn’t the reason she sang the Marcy Heisler-Zina Goldrich ‘Taylor’ to well-earned applause from what seemed a roomful of family and friends. They had much to be proud of, since, with ‘Up ‘Til Now,’ Bierstock demonstrated she has the right onstage instincts. She explained this was ‘my first cabaret,’ but she already has good taste in songs right for her…has a mezzo soprano she commands well… is comfortable at the mike, and at ease chatting with the audience. (Not all neophytes are, even when they know most of the attendees.) ”